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• 100% Certified Organic Cotton ring-spun jersey
• Light fabric (5.3 oz/yd² (180 g/m²))
• Runs true to size

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It takes 1-3 days to fulfill an order, after which it’s shipped out. The shipping time depends on your location, but can be estimated as follows: USA: 2-7 business days International: 10-20 business days. Available Size: XS, S, M, L, XL, 2XL, 3XL, 4XL, 5XL Available Color: Black, Cardinal Red, Forest Green, Gold, Navy, Royal, Sport Grey, White…

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Do not use detergent containing chlorine, Do not use detergent, Drying, normal temperature, low heat. Regular ironing can be done by steam or dry ironing, and ironing cannot be more than 110 degrees Celsius. Delivery Your order will be printed exclusively for you within a few days. If you are in the US, Canada or Europe, you will receive your order within 3-7 business days after printing is complete. For all other countries, please allow between 10-14 business days. And you wanna design your own shirt by yourself for your team, your group or your family, you can sent us your design to gmal address [email protected].. We will make it for you. This shirt the official design from Hulktee.com. Available for T-shirt, hoodie, tank top, long sleeve, sweater, youth tee, onesie for men and women. Have a nice day!

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SHIPMENT METHOD	PROCESSING TIME	ESTIMATED DELIVERY TIME	SHIPMENT COST
Domestic US	1-3 business days	2-5 business day	USA First Hoodie or Sweat: $8 Additional Hoodie or Sweat: $2 First Shirt: $5 Additional Shirts: $2
International	2-5 business days	10-20 business day	International Hoodie or Sweat: $10 Shirt: $8

Ship from UK

SHIPMENT METHOD	PROCESSING TIME	ESTIMATED DELIVERY TIME	SHIPMENT COST
Domestic UK	1-3 business days	2-5 business day	UK First Hoodie or Sweat: $8 Additional Hoodie or Sweat: $2 First Shirt: $5 Additional Shirts: $2
Europe	1-3 business days	10-20 business day	Europe First Hoodie or Sweat: $8 Additional Hoodie or Sweat: $2 First Shirt: $5 Additional Shirts: $2

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Perina Drummond’s story of founding her all-Indigenous and –Torres Strait Islander modeling agency, Jira, starts in an iconic Australian setting: a Melbourne tram. “I met my first model, Cassie, on one in Brunswick. It was weird,” she laughs, thinking back to cold approaching model Cassie Puruntatameri on her way back home from Queen Victoria Market, “but it was such a good start to the I wanted to send you something amazing for christmas but the mailman told me to get out of the mailbox pig wear hat santa shirt In addition,I will do this agency.”It was 2017, and the Torres Strait–born stylist and former model decided to respond to a dearth of Indigenous representation in the local Australian fashion landscape. Thanks in no small part to the tireless push for momentum by Indigenous communities putting inclusion on the mainstream agenda, it reached a new urgency. Jira became the first major agency of its kind in the country, addressing a crucially underserved area.“There were a lot of people—creatives and professionals—that were screaming for Indigenous models,” she recalls. “I’d literally pick up my phone, and I’d have somebody on the call saying, ‘I’m ready to shoot.’”Four years later and she’s reshaping the mainstream understanding of what the instantly recognizable version of Australian fashion looks like: sun, swim, sometimes exclusively coastal, and, previously, mostly white. Instead, she’s mentoring young models, providing pathways into the industry, and now curating a landmark moment—a runway show that will be one of two all-Indigenous fashion shows ever on the Afterpay Australian Fashion Week schedule.Presented by Indigenous Fashion Projects, a project of the Darwin Aboriginal Art Fair, it showcased today six First Nations designers from around the country, including Liandra Swim by designer Liandra Gaykamangu; Maara Collective; Kirrikin; Melbourne label Ngali, known for its swirling silken prints; and two more swim labels, Indii and Native Swimwear. It drew on tens of thousands of years of history. All six designers will then participate in the Pathways Program, an initiative launched last year by department store David Jones that sees each label paired with an established industry brand for mentorship, then supported by seminars, workshops, and networking opportunities facilitated by the retailer over 12 months.  With Samantha Harris walking among the models and attendees including the premier of New South Wales, Gladys Berejiklian, and sporting legend Adam Goodes, she sees it as a moment of community where the growing number of creatives from a First Nations background can work together in a safe space, in what is a model for the future. “I feel the difference when I work with non-Indigenous folks than with Indigenous people. There’s just a different momentum, and there’s just a different way that we communicate.”“You almost feel like you’re at home when you do stuff together, even at fashion shows or photo shoots,” she continues, noting that, despite progress, the industry is still dominated by non-Indigenous narratives and can feel unfamiliar to some First Nations people. “As our community grows within the industry, there’s more relaxation. It’s so good that we can still bring that into a space that’s very foreign.”Drummond touches on the idea that comfort and trust are still barriers to more involvement by Indigenous Australians in the fashion industry and cultural sensitivity is crucial. “Just understanding that English isn’t their first language or their second,” she says of young models who speak one or more of the 120 different Indigenous languages still spoken today. (There were 250 at the time of British colonization.) “Sometimes it’s their third or fourth language,” she says. “It’s definitely overwhelming for them and something that really scares them off.”The talent she works with has taken on such hurdles, something she supports them with. “We were up in Sydney for a shoot once, and I had to houseparent one of them. I made sure we caught different flights so she got used to flying by herself. But at the airport I was teaching her how to read the departure signs and the arrival signs, making sure she knew which column…like, ‘That’s where your gate is. That’s your boarding time.’”Her role is granular in this sense, taking time and a slower approach rather than pushing young models to go hard and fast as has been industry practice for so long. Instead, she travels to remote communities frequently, building trust and showing aspiring models whose connection to country, family, and culture is inextricable with their identity that they can leave but return home, flipping the traditional trajectory of international runway supernovas. She knows a thriving industry in Australia can support their work here and keep them connected to culture.The most rewarding part of her job is seeing them flourish. “Even though [some may not] speak English properly or they’re not confident to speak that way, can they walk? They can absolutely walk. Can they shoot? They can absolutely bring it to the camera.”She foresees only more opportunities for future models, starting with these first Australian Fashion Week shows. “It has been a journey to see Indigenous women from where we once were, not having this opportunity, to now, where we’re almost at the forefront of Australian fashion. That’s such an exciting feeling.”Named after her great-great-grandmother, Nara Jira Para, from Wuthati Country in Queensland, Jira is now based in Drummond’s home of the Torres Strait because of COVID-19. However, she takes trips to remote communities, like Kimberley in Western Australia, unearthing talent. “It’s quite a utopia out there, to be honest,” she says. And her advice for any First Nations people considering a career in fashion? “By all means, do it. Find a way to do it, even if it means contacting me just to get advice.”

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The phrases cool mom and cool dad get thrown around a lot—particularly lately, it seems, when everyone’s mom and dad harness, to greater or lesser degrees, some kind of cool. Grace McKagan, though, probably has you beat. Her sister, Mae, is a college student, a model, and a fashion designer. Her dad, Duff McKagan, is the I wanted to send you something amazing for christmas but the mailman told me to get out of the mailbox pig wear hat santa shirt In addition,I will do this founding bassist of Guns n’ Roses—maybe you’ve heard of them? Even more impressive: When G n’ R began to implode and his rock-and-roll lifestyle began to get the better of him, Duff reinvented himself with martial arts and business school, wrote two best-selling books, and went on to found a wealth management firm to help musicians handle their money; these days, he’s recording brilliant solo records and—after an extended COVID break—will soon be touring the world with G n’ R again.Grace’s mom, Susan Holmes McKagan, is a supermodel who has walked runways, shot campaigns with, well, almost everyone really, and graced the cover of Vogue and countless other magazines around the world. She wrote her own best seller, thank you very much, and sends part of her proceeds to the MusiCares Foundation to help music people in various kinds of need. Her COVID project? At the urging of her good friends, models Kate Dillon and Tyra Banks—Dillon has a master’s from Harvard; Banks studied management at Harvard Business School—Susan signed on with their alma mater for remote feature writing classes. (Susan’s father was a Fulbright Scholar, her mother an English teacher.) “I feel like I missed out on so much when I was modeling and traveling all the time,” Susan says from the family’s L.A. home, with Grace sitting next to her, “so I’m making up for lost time. It taught me so much about myself—and I ended up getting an A! I was so proud.”Grace, then, is simply keeping up the family tradition. She’s been singing and performing for her family since she was three, did musical theater after that, and started a band, the Pink Slips, when she was just 15. Now she’s 23 and—when she’s not studying creative writing in college or modeling—striking out on her own with a new sound and some new singles. (Her next one, “So Hyper,” drops tomorrow.)When I ask her why her sound has evolved, her answer makes it painfully obvious that the truly strange thing would be if it had stayed the same.“My music has changed and matured as I have,” Grace says. “I started writing songs without a care in the world because I didn’t have a care in the world—I was just having fun. And as I got older, I think I’ve learned a lot about who I am. I’ve always written with Isaac Carpenter—he’s my best friend and the drummer in Awolnation—and my boyfriend, Blues [Williams], and I have made an amazing team. We’re really in our groove, and we’ve found what works for us right now. As for going solo, I mean, the pandemic kind of helped that along, but the Pink Slips were a particular group of people for a particular time, and it was really just time for me to go my own way.”Think of some unholy combination of the Kills, Peaches, the Yeah Yeah Yeahs, and Nine Inch Nails, and you’ve got Grace’s influences mostly down. “When I’m writing, I’m not trying to imitate anyone,” she says, “but more thinking of catching a vibe from someone.”Susan, for her part, isn’t—hasn’t ever been, really—content to rest on her considerable modeling laurels, and has continued working, writing, and modeling as she approaches 50.“I think both within modeling and as a society, we’re still trying to overcome a lot of fixed ideas about what beauty is,” she says, “and changing our thinking about age is part of that.”“In the music industry too,” says Grace. “This idea that if you’re over 30 and you’re a woman, you can’t be sexy anymore? Look at Debbie Harry: I think she was 27 before she even had one album out, and she’s still beautiful now at 75. You’re beautiful because of your talent.”“It’s getting better,” Susan says. “You’re seeing [73-year-old model and Elon Musk’s mother] Mae Musk in CoverGirl ads; people like Lauren Hutton and Isabella Rossellini have long been pushing our standards regarding age. Europe’s still ahead of us—they’ve embraced all kinds of beauty with a little broader brushstroke—but we’ve been making some headway, and I’m still striving to push it further.”With COVID pretty much grounding everyone for a year, though, it’s somehow reassuring to know that the McKagans are also pretty damn excellent at the old-school family hang: They had karaoke nights; they played Scattergories; the girls have matching dove tattoos. More recently, with everyone vaxxed up, they took their first family trip in a spell to Mexico, and Susan and Grace have picked up where they left off with their shared vintage shopping obsession.“My style icons are Nancy Sinatra and Brigitte Bardot,” Grace says.“I love ’60s- and ’70s-era vintage,” Susan says, “but my icon is more Tina Turner and her legs—and her wild, don’t-give-a-fuck hair, which was a total game changer. But at the end of the day, though, I’m a mom: I like anything high-waisted, whether it’s pants or a skirt.”Grace laughs. “I like black high-top Converse,” she says.“Our whole family wears those!” Susan says. “Mae, Duff—even Grace’s dog Boots has black high-top Converse toys that he plays with. It’s the universal fashion aesthetic of our household.”